Date of Construction: 1941
Sunset Boulevard (1950):
The directions made by the Paramount guard for Norma and Joe to go meet Cecil B. DeMille on “Stage 18” is accurate: this stage, one of the largest on the Paramount lot, was known for years as “The DeMille Stage,” and now is called “The Star Trek Stage”, as all the “Trek” movies and some scenes from the TV shows have shot there (the TV series, from Star Trek: The Next Generation onward had their main sets right across the studio street on Stages 8 and 9, which are right below the second-floor office occupied by Betty Schaefer in Sunset Blvd.. Those offices later became the home of the “Star Trek” art department.)
More information about Star Trek on Stage 18
Seen on Screen: Paramount Studios [Stage_18]
Title | Released | Director | IMDB |
---|---|---|---|
Road to Rio [Feature Film] | 1947 | Norman Z. McLeod | |
Stage 05, Stage 09, Stage 12, Stage 15, Stage 17, Stage 18 | |||
Samson and Delilah [Feature Film] | 1949 | Cecil B. DeMille | |
Stage 18 | |||
Sunset Boulevard [Feature Film] | 1950 | Billy Wilder | |
The Bronson Gate (then at 5451 Marathon Drive, now within the studio grounds) is where Norma Desmond comes to visit Cecil B DeMille. | |||
The Paramount Studios writers offices featured in the movie are still standing and in regular use. | |||
Norma meets DeMille on Stage 18 (then known as the Cecil B DeMille Stage) is now more familiarly known as the Star Trek Stage. Stage 17 was used for the bulk of the production. DeMille was shooting Samson and Delilah (1949) at the time. Also used Stage 09 | |||
Shane [Feature Film] | 1953 | George Stevens | |
Stage 05, Stage 12, Stage 15, Stage 18 | |||
Rear Window [Feature Film] | 1954 | Alfred Hitchcock | |
The entire courtyard set was built on Stage 18 at Paramount. Construction ran from October 12 - November 13 1953 and involved digging around 30 feet down into the soundstage foundations. Photography ran November 27 1953-February 26 1954. Stage 10 housed a set of the office of magazine photo editor Ivar Gunnison, which did not end up in the final edit. Stage 02 was also used. | |||
Lucy Gallant [Feature Film] | 1955 | Robert Parrish | |
Stage 11, Stage 14, Stage 18 | |||
Court Jester [Feature Film] | 1956 | Melvin Frank, Norman Panama | |
Stage 14, Stage 15, Stage 18 | |||
The Joker Is Wild [Feature Film] | 1957 | Charles Vidor | |
Stage 02, Stage 04, Stage 05, Stage 07, Stage 08, Stage 10, Stage 16, Stage 18 | |||
Houseboat [Feature Film] | 1958 | Melville Shavelson | |
Stage 08, Stage 09, Stage 16, Stage 18 | |||
Rock-A-Bye Baby [Feature Film] | 1958 | Frank Tashlin | |
Stage 02, Stage 04, Stage 06, Stage 07, Stage 08, Stage 16, Stage 18 | |||
The Geisha Boy [Feature Film] | 1958 | Frank Tashlin | |
Stage 01, Stage 02, Stage 08, Stage 09, Stage 18 | |||
The Matchmaker [Feature Film] | 1958 | Joseph Anthony | |
Stage 01, Stage 08, Stage 09, Stage 18 | |||
But Not For Me [Feature Film] | 1959 | Walter Lang | |
Stage 06, Stage 11, Stage 15, Stage 18 | |||
Li'l Abner [Feature Film] | 1959 | Melvin Frank | |
Stage 09, Stage 12, Stage 14, Stage 15, Stage 18 | |||
The Five Pennies [Feature Film] | 1959 | Melville Shavelson | |
Stage 09, Stage 10, Stage 16, Stage 18 | |||
Bonanza [TV Series] | 1959 - 1973 | ||
Studio base 1959-1970. Stage 17, Stage 18 | |||
Cinderfella [Feature Film] | 1960 | Frank Tashlin | |
Stage 14, Stage 15, Stage 18 | |||
One Eyed Jacks [Feature Film] | 1961 | Marlon Brando | |
Stage 02, Stage 12, Stage 18 | |||
The Pleasure of His Company [Feature Film] | 1961 | George Seaton | |
Stage 01, Stage 02, Stage 08, Stage 12, Stage 14, Stage 18 | |||
The Man Who Shot Liberty Valance [Feature Film] | 1962 | John Ford | |
Stage 01, Stage 02, Stage 09, Stage 12, Stage 18 | |||
Come Blow Your Horn [Feature Film] | 1963 | Bud Yorkin | |
Stage 04, Stage 07, Stage 18 | |||
Papa's Delicate Condition [Feature Film] | 1963 | George Marshall | |
Stage 04, Stage 07, Stage 11, Stage 12, Stage 18 | |||
Seven Days In May [Feature Film] | 1964 | John Frankenheimer | |
Stage 04, Stage 07, Stage 08, Stage 09, Stage 18 | |||
The Patsy [Feature Film] | 1964 | Jerry Lewis | |
Stage 02, Stage 04, Stage 07, Stage 08, Stage 09, Stage 10, Stage 12, Stage 18 | |||
The Graduate [Feature Film] | 1967 | Mike Nichols | |
Stage 05, Stage 18 | |||
Darling Lili [Feature Film] | 1970 | Blake Edwards | |
Stage 05, Stage 08, Stage 15, Stage 18 | |||
Clue [Feature Film] | 1985 | Jonathan Lynn | |
Stage 16 [Mansion set], Stage 17 [attic and cellar], Stage 18 [Driveway, front door & ground floor, except ballroom}. | |||
Coming to America [Feature Film] | 1988 | John Landis | |
Stage 04, Stage 07, Stage 18 | |||
Black Rain [Feature Film] | 1989 | Ridley Scott | |
Stage 17, Stage 18 | |||
Harlem Nights [Feature Film] | 1989 | Eddie Murphy | |
Stage 10, Stage 17, Stage 18 | |||
Ghost [Feature Film] | 1990 | Jerry Zucker | |
Stage 17, Stage 18, Stage 19 | |||
All I Want For Christmas [Feature Film] | 1991 | Robert Lieberman | |
Stage 11, Stage 18 | |||
Regarding Henry [Feature Film] | 1991 | Mike Nichols | |
Stage 18 | |||
Patriot Games [Feature Film] | 1992 | Phillip Noyce | |
Stage 05, Stage 18 | |||
Star Trek: Deep Space Nine [TV Series] | 1993 - 1999 | Rick Berman, Michael Piller | |
Stage 04, Stage 07, Stage 17, Stage 18 | |||
Star Trek: Insurrection [Feature Film] | 1998 | Jonathan Frakes | |
Stage 05, Stage 15, Stage 16, Stage 18 | |||
Mission Impossible III / Mission Impossible 3 [Feature Film] | 2006 | J.J. Abrams | |
Stage 08, Stage 09, Stage 16, Stage 18, Backlot Financial District | |||
Disturbia [Feature Film] | 2007 | D.J. Caruso | |
Kale's Bedroom set was built on Stage 18, previously used for Rear Window. | |||
Spider-Man 3 [Feature Film] | 2007 | Sam Raimi | |
Backlot - jazz club exterior and interior. The web love scene was shot on Stage 18. | |||
Maroon 5: One More Night [Music Video] | 2012 | Peter Berg | |
Stage 18 (April 21st 2012) | |||
Barry [TV Series] | 2018-2023 | ||
Seasons 1 & 2, Stage 18, Stage 19 |